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PUBLICATIONS
One of SSHoP’s most important contributions to the promotion of photography as a medium is its annual publication Studies in Photography.
All SSHoP members receive a copy of the current publication when produced and
a limited number of back issues are available if required.
Studies in Photography 2009
Contents.
- Ray McKenzie, Editorial
- Roisin Reilly, Annual Annan Lecture, 2009
- Tom Normand, Other Photographies, Different Histories: looking at photographs in Dunfermline
- David Brittain, Magazines and Magazine Art
- Sara Stevenson, Twenty-five years of the Scottish National Photography Collection
- A D Morrison-Low, Photographic Collections at National Museums Scotland - a review of the past quarter century
- Calum Colvin, Smoke and Mirrors: construction, trickery and surface in my work from a historical perspective
- Andy Wiener, Life Story Work
- Claire Wheeldon
- Lucy Levene
- Michael Mersinis, Finding Ithaca
- Roddy Simpson, Archibald Burns - photographer of Old Edinburgh
Review: A study of James G. Tunny 1820-1887 (Photographer and Political Radical, Edinburgh).
Studies in Photography 2008
Contents.
- Ray McKenzie, Editorial
- Brian Griffin, Annual Photographer's Lecture, 2007
- Oscar Marzaroli: an anniversary celebration. Annual Annan Lecture,
2008
- Sara Stevenson, Photography and the Police - Glasgow 1854
- James Downs, Out of the shadows: Iván Szabó (1822-58), a
forgotten 'photographic luminary'
- The Craze for Crystoleums: how a maiden aunt occupied her time
- Susan Payne and Paul Adair, Magnus Jackson and the Black Art: the happy
marriage of old and new technology
- Roddy Simpson, Subscribers to the prints of the Disruption Painting
- Ray McKenzie, Obituary: Eric Watt (1934-2005)
- Julia Papp, Hungarian Society for the History of Photography (MAFOT)
Reviews: Impressed by Light: British Photographs from Paper Negatives 1840-1860;
Great Photographic Journeys - in the footsteps of 19th Century British Photographers;
George D Valentine. A Nineteenth Century Photographer in New Zealand.
Publications 1986-2007
A list of contents, including reviews of books and exhibitions, of the Scottish Photography Bulletin (1986-1995) and Studies in Photography (1996-2007).
An index to articles is given at the end of the
list. Copies are available of all publications except: 1986; 1988; 1990, No. 2;
1997.
SSHoP Bulletin, Spring 1986
- Helen Smailes, Sir Walter Scott in Camera. [Sir Walter Scott, James Hall and Basil Hall.]
- Nigel Thorp, Early Photographic Collections in Glasgow University Library.
- Ray McKenzie, ‘The Laboratory of Mankind’: John McCosh and the Beginnings of Photography in British India.
- David Bruce, Redding the Line. Calotype by D. O. Hill and Robert Adamson, Newhaven, 1845.
- Julie Lawson, Bankruptcy Through the Lens: The Case of Kenneth Macleay.
- John Burnett, Day Return to Newhaven. [Edinburgh, Leith and Granton Railway.]
- A. D. Morrison-Low, The Alexander Sisters by John Adamson: Portrait of a Woman’s Place in Victorian Society.
- Review: Mike Weaver, The Photographic Art, Stills Gallery (Monica Thorp).
Scottish Photography Bulletin, Autumn 1986
- Lindsay Errington, Chiaroscuro in the Calotype.
- Pradip Malde, No Man’s Land: A Portfolio.
- Julie Lawson, Sir James Dunlop, a Photographic Prodigy?
- Sara Stevenson, The Progress of the Scottish National Portrait Gallery’s Collection.
- The Scottish Arts Council’s Photography Review.
Reviews: Tierra y Libertad! Photographs of Mexico 1900-1935, Collins Gallery, Glasgow, and Museum of Modern Art, Oxford (Ray McKenzie); John Ward and Sara Stevenson, Printed Light: The Scientific Art of William Henry Fox Talbot, David Octavius Hill and Robert Adamson, Scottish National Portrait Gallery (David Bruce); Town and Country: The Social Scene in Scotland 1850-1920, Hunterian Art Gallery, University of Glasgow (Clare A. P. Willsdon); S. Morozov et al., Soviet Photography 1917-1940: The New Photo-Journalism, London: 1984 (Norman MacDonald); Hugh Murray, Photographs and Photographers of York: The Early Years 1844-1879 (A. D. Morrison-Low).
Scottish Photography Bulletin, Spring 1987
- A. L. Fisher, Thomas Annan’s ‘Old Closes and Streets of Glasgow.’
- Janet McBain, The Scottish Film Archive: The First Ten Years.
- A. D. Morrison-Low, John Muir Wood, Calotypist.
- Murray and Kate Johnston, Scottish Photographic Works.
- Towler, John, A Nail-Brush and a Hat Stand ... Setting up a Photographic Studio in 1870. From The Silver Sunbeam, 7th ed., 1870.
- Review: Irving Penn at the Victoria and Albert Museum (Murray Johnston).
Scottish Photography Bulletin, Autumn 1987
- J. A. Fisher, Thomas Annan’s ‘Old Closes and Streets of Glasgow.’ A Catalogue of the Images. Part One.
- Graham Smith, James David Forbes and Thomas Rodger.
- Reviews: Made from Girders, Talbot Rice Gallery, Edinburgh, and Ralph Greenhill, Engineer’s Witness, Toronto, 1985 (John Burnett); William Carrick, Nineteenth-Century Photographs of Russia, Scottish National Portrait Gallery (A. D. Morrison-Low); Fay Godwin, Exhibition at the Stills Gallery, and Peter Cattrell, Exhibition at the Royal Scottish Museum (Sara Stevenson); Roger Palmer, Precious Metals, Third Eye Centre, Glasgow (Ray McKenzie).
Scottish Photography Bulletin, Spring 1988
- William Buchanan, Photography Comes to Glasgow: A Survey of the Fifteen Years 1839-1854.
- J. A. Fisher, Thomas Annan’s ‘Old Closes and Streets of Glasgow.’ A Catalogue of the Images. Part Two.
- Sara Stevenson, The Australian Question. [Dr John Thomson]
- Jane Brettle, The Photography Workshop.
Scottish Photography Bulletin, Autumn 1988
- Julie Lawson, William Walker: An Early Amateur Photographer.
- Euan McGillivray, Private Lives - Public Heritage. [Museum of Victoria]
- Robert Donaldson, Obituary: Max Begg.
- Margaret MacDonald, Calotype Workshop Report.
- Reviews: Roger Fenton: Photographer of the 1850s, Hayward Gallery, London (Margaret MacDonald); Larry Schaaf, Sun Gardens: Victorian Photograms by Anna Atkins (A. D. Morrison-Low)
Scottish Photography Bulletin, 1989 No. 1
- Julie Lawson, William Donaldson Clark (1816-1873).
- David Bruce, Oscar Marzaroli: A Tribute.
- James Lawson, The Photographic Image and Romanticism.
- Sara Stevenson, Brief Encounter. [James Nasmyth and David Octavius Hill]
- Reviews: Sara Stevenson, James Cox 1849-1901 (A. Morrison-Low); Jacques-Henri Lartigue: My Friends and I, Grand Palais, Paris, 1988 (Norman MacDonald); Andrew Cronshaw, Old Dundee Postcards, Edinburgh, 1988 (Dorothy Kidd); Heinz and Beatrice Henisch, The Photographic Experience, Palmer Museum of Art, 1988 (Sara Stevenson).
Scottish Photography Bulletin, 1989 No. 2
- Donald McCoo, John Urie: Portrait Photographer (1820-1910).
- Mrs Mucklewham, The Whole Art of Photography Exposed!
- David Bruce, But the Photography Was Wonderful ... [Cinephotography in Scottish documentary film]
- Monica Thorp, Hill and Adamson without Adamson? The Ballochmyle Calotypes.
- Reviews: Terence Pepper and John Kobal, The Man Who Shot Garbo, Scottish National Portrait Gallery (Julie Lawson); David M. N. Teach, Shoal and Sheaf: Orkney’s Pictorial Heritage, Orkney Library, 1988 (Margaret MacDonald); The Kodak Collection at the National Museum of Photography (Sara Stevenson); Mike Seaborne, Shelters: Living Underground in the London Blitz, 1988 (Margaret MacDonald); Robin Gillanders, Significant Others, Scottish Photographic Works (Sara Stevenson).
Scottish Photography Bulletin, 1990 No. 1
- Ray McKenzie, A Love Affair with Loch Katrine: Problems of Representation in Early Scottish Landscape.
- Jenny Wetton, James Mudd, Photographer (1821-1906).
- Andrew Patrizio, Fixing Steel Plates to Glass: Benjamin Baker, Evelyn Carey and the Forth Rail Bridge.
- Pam Roberts, The Royal Photographic Society Collection.
- James Berry, The Care and Conservation of Photographs.
Scottish Photography Bulletin, 1990 No. 2.
Special Issue in Honour of Murray Johnstone
- David Williams, Mortonhall Crematorium, Wednesday 10 January 1990. [Murray Johnston]
- Iain Stewart, The Greatest Gift ...
- James Lawson, Photography, and Political Economy and its Enemies.
- Robin Gillanders, Portraiture.
- Larry Schaaf, The First Photograph James Nasmyth Ever Saw.
- Graham MacIndoe, For All That’s Done.
- A. D. Morrison-Low, Photography in Edinburgh in 1839: The Royal Scottish Society of Arts, Andrew Fyfe and Mungo Ponton.
- David Bruce, Then and Now from Photographs.
- Lawson, Julie, The Problem of Poverty and the Picturesque: Thomas Annan’s ‘Old Closes and Streets of Glasgow,’ 1868-1871.
- John Charity, in conversation with James Lawson, Documentary Photography.
- Sara Stevenson, David Octavius Hill, Friendship and Art.
Scottish Photography Bulletin, 1991 No. 1
- Graham Smith, Maida and Blanche: Talbot, Scott, and John Adamson.
- Mike Ware, Prints of Gold: The Chrysotype Process Re-invented.
- Julie Lawson, Frederick Bremner: A Vision of India.
- Michael Gray, A Suggested Classification and Nomenclature for Early Positive and Negative Photographic Images on Paper.
- Reviews: Andrew Cronshaw, Edinburgh from Old Picture Postcards, 1989 (Deborah Mays); Julie Lawson, William Donaldson Clark (1816-1873), National Galleries of Scotland, 1990 (Patricia Macdonald); Maurice Lindsay, David Bruce and Murray Johnston, Edinburgh: Past and Present, London, 1990 (Deborah Mays); Jane Carmichael, First World War Photographers, London and New York, 1989 (A. D. Morrison-Low); Alexander Kusnetsov and Alexander Kuptsov, Gulag to Gorbachev (Ray McKenzie); La Riviera de Charles Nègre, French Institute, Edinburgh (James Lawson).
Scottish Photography Bulletin, 1991 No. 2
Scottish Photography Bulletin, 1992 No. 1
- Audrey Linkman, A Roving Scot: Itinerant Photography in the Heart of England in the 1850s.
- George Mason (1839-1901), Pictures in Black and White: First Picture - Old Giles.
- Lloyd Smyth, Does the Legacy of Ceausescu still haunt Romania in the 90s?
- Reviews: Helen Smailes, Kenneth MacLeay, 1802-1878, National Galleries of Scotland, 1992 (Sara Stevenson); Glyn Satterley, The Highland Game - Life on Scottish Sporting Estates, Portfolio Gallery, Edinburgh, 1992 (Alexandra Aikman); John Blakemore, Inscape, 1991 (Sara Stevenson); Brooks Johnson et al., An Enduring Interest: The Photographs of Alexander Gardner, Chrysler Museum, Norfolk, Virginia, 1991 (Julie Lawson).
Scottish Photography Bulletin, 1992 No. 2
- Sara Stevenson, Sara, The Rev. David Thomas Ker Drummond, 1806-1877.
- Richard Ovenden, Recent Acquisitions of Travel Photography by the National Library of Scotland.
- H. Baden, Mr John Fergus’ Studio at Largs, 1882.
- Reviews: William Buchanan, The Art of the Photographer: J. Craig Annan, National Galleries of Scotland, 1992 (Ray McKenzie); Photography 1900: The Edinburgh Symposium 24-26 September 1992 (Margaret MacDonald); Robert Doisneau Retrospective, Aberdeen Art Gallery, 1992 (Robert Kemplay).
Scottish Photography Bulletin, 1993 No. 1
- R. Hamilton, John Murray (1809-1898): Pioneer Photographer in India.
- B. A. and H. K. Henisch, Balaklava, 1854.
- Reviews: George Washington Wilson Centenary Conference, Aberdeen, 20 March 1993; Elliott Erwitt: Personal Exposures, Royal Photographic Society, Bath, 1993 (John Kemplay); Fotofeis: Scottish International Festival of Photography, 1993. Glasgow and the South West: ‘Views from the Edge’ (Ray McKenzie; Fotofeis in Edinburgh (Graeme Gollan); Fife’s Fotofeis (James Berry).
Scottish Photography Bulletin, 1993 No. 2
- James Lawson, Postscript to Fotofeis: Just One Picture.
- Catherine A. Mooney and Thomas Joshua Cooper, Paul Strand: A Truly American Artist.
- Norman MacDonald, Some Autochrome Plates in Glasgow University.
- Sara Stevenson, A New Portrait of David Livingstone.
- Reviews: The Waking Dream. Photogaphy’s First Century: Selections from the Gilman Paper Company Collection. Edinburgh City Art Centre, 1993 (Julie Lawson); Amy Rule (ed.), Carleton Watkins: Selected Texts and Bibliography. Oxford, Clio Press, 1993 (Ray McKenzie); Ian Bavington Jones, Portrait of the Tweed. A Celebration of the Borders Landscape. London, Corsall, 1992 (Milla Cameron); Bill Brandt, Photographs 1928-1983, Barbican Art Gallery, 1993 (John Kemplay); Sehsucht. Das Panorama als Massenunterhaltung des 19. Jahrhunderts [The Desire to See. The Panorama as Medium of Mass Entertainment in the 19th Century], Bonn, 1993-1994 (Stephen Lloyd); The Art of the Daguerreotype, Scottish National Portrait Gallery, 1993-1994.
Scottish Photography Bulletin, 1994 No. 1
Scottish Photography Bulletin, 1994 No. 2
- Sara Stevenson, ‘Edinburgh Ale’ and ‘The Morning After.’
- Henry C. E. Gage, The Jewish Cemeteries of Prague and Warsaw.
- David Williams, ‘one little room ... an everywhere.’
- Reviews: Annie Leibowitz: Photographs 1970-1990, Scottish National Portrait Gallery, 1994 (Halla Belloff); Teresa Swiebocka, Auschwitz: A History in Photographs, Bloomington and Warsaw, 1993 (Kevin Lewis); Mood of the Moment: Masterworks of Photography from the University of St Andrews, National Museum of Scotland (Audrey Wilson); Visions of the Ottoman Empire, with essays by Christopher Ferrard, Julie Lawson, Sara Stevenson, and B. A. and H. K. Henisch, Scottish National Portrait Gallery, 1994 (Ray McKenzie); Bruce Bernard, Humanity and Inhumanity: The Photograpahic Journey of George Rodger. London, Phaidon Press, 1994 (Richard Ovenden).
Scottish Photography Bulletin, 1995 No. 1
- Graham Smith, Talbot and Canova’s ‘The Three Graces.’
- Michael Cassin, Seen but not Heard: Photographing Children in the Scottish National Portrait Gallery.
- Norman MacDonald, Gift of Historic Photographs [by C. T. R. Wilson] to Glasgow University.
- Reviews: Heinrich Schwarz, David Octavius Hill: Master of Photography. New York, Viking Press, 1931 (Paul Strand); Paul Strand, The World on My Doorstep, Scottish National Portrait Gallery (Robin Gillanders); Atget’s Paris, Thames and Hudson, 1992, and Atget’s Seven Albums, Yale University Press, 1992 (James Lawson); Magda Segal, London at Home. Manchester, Corner-house Publications, 1993 (Ray McKenzie); Elliott Erwitt, Between the Sexes. London, W. W. Norton, 1994 (Halla Beloff); Edward Chambré Hardman, Photographs 1921-1972. Bath, Royal Photographic Society, 1994-1995 (John Kemplay); John Blakemore, The Stilled Gaze. Zelda Cheatle Press, 1994 (Sara Stevenson); Heinz K. and Bridget A. Henisch, The Photo-graphic experience 1839-1914: Images and Attitudes. Pennsylvania State University, 1993 (Julie Lawson)
Studies in Photography, 1996
- William Buchanan, Snapshot of a Curator of Photography: Sara Stevenson.
- A. D. C. Simpson, Talbot’s Photometer, or Developments before Photography.
- Thomas Joshua Cooper: interviewed by Ray McKenzie.
- Calum Colvin: interviewed by Ray McKenzie.
- Robin Gillanders: in conversation with James Lawson.
- Catriona Grant: interviewed by Sara Stevenson.
- Owen Logan: in conversation with Julie Lawson.
- Ron O’Donnell: interviewed by James Berry.
- Iain Stewart: in conversation with James Lawson.
- David Williams: digest of a conversation with James Lawson.
- Patricia Macdonald, To Remain Dissolved: Aspects of Photography and Language. SSHoP Annual Photographer’s Lecture 1995.
- Jinx Witherspoon Rodger, in collaboration with Brigitte Lardinois, George Rodger: A Photographic Journey from Scotland to Africa.
- Margaret Hutchison Evatt, Grandfather Hutchison: A Victorian Photographer.
- Reviews: Light From The Dark Room: the exhibition reviewed (William Buchanan); Light From The Dark Room: the publication reviewed (Graham Smith)
Studies in Photography, 1997
Studies in Photography, 1998
Studies in Photography, 1999/2000
- Zoltan Jokay, Looking out for Happiness. SSHoP Annual Photographer’s Lecture 1999.
- Rebecca Marr and Valerie Gillies, Men and Beasts: Wild Men and Domestic Animals of Scotland.
- John Murray and John K. McGregor, Watermarks.
- Keith Bell, ‘Just the kind of people Canada wants.’
- Quentin Bajac, Fragments of Lady Matheson’s Work Considered.
- Sara Stevenson, Calton Hill.
- Review: Magna Brava: Magnum’s Women Photographers. National Galleries of Scotland, 1999 (Patricia Macdonald)
Studies in Photography 2000-2001
Studies in Photography 2001-2002
Studies in Photography 2002-2003
Proceedings of the D. O. Hill bicentenary Conference, ‘The Artful Use of Light,’ Edinburgh, May 2002.
David Bruce, First Impressions. Hugh Miller, The Calotype. ‘The Witness,’ 12 July 1843. Larry Schaaf, Science, Art and Talent. Murdo Macdonald, A Somewhat Bold Capriccio. Sara Stevenson, The Calotypes. Ray McKenzie, The Pre-photographic Printmaking Work of D. O. Hill. Duncan Macmillan, The Disruption Painting. William Buchanan, Rediscovering Hill and Adamson ... Mike Ware, On the Stability of Robert Adamson’s Salted Paper Prints. K. Eremin, J. Tate, J. Berry, On the Chemistry of John and Robert Adamson’s Salted Paper Prints and Calotype Negatives. Graham Smith, Imagination and the Genius of Antiquity at St Andrews. A. D. Morrison-Low, Tripping the Light Fantastic: Henry Talbot and David Brewster. Quentin Bajac, Hill and Adamson and France: 150 Years of Critical Approach.
Studies in Photography 2004
- Roger Palmer, Appearances. SSHoP Annual Photographer’s Lecture 2003.
- Calum Colvin, Photography at Duncan of Jordanstone College of Art and Design.
- David Williams, Edinburgh College of Art: Photography Course Statement.
- Vaughan Judge, Photography at the Glasgow School of Art.
- Jim Hamlyn and Colin Andrews, Photographic and Electronic Media at Gray’s School of Art.
- Carole Baker, The B.A. (Hons) Photography, Film and Imaging course at Napier University.
- Graham Smith, Photography at the University of St Andrews.
- R. M. Callender, The Shandon Connection.
- Michael R. G. Spiller, A Photohistory Coincidence.
- A Game of Charades; from The adventures of Mr Verdant Green, by ‘Cuthbert Bede, BA.’
- Reviews: Robin Gillanders, The Photographic Portrait. Newton Abbott, David & Charles, 2004 (Michael Russell); Fleeting Arcadias. Howden Park Centre, Livingston, 2003 (Roddy Simpson); Fay Godwin, Landmarks, Scottish National Portrait Gallery, 2003-2004 (Roddy Simpson)
Studies in Photography 2005
- Jane Brettle, Appearances. SSHoP Annual Photographer’s Lecture 2004.
- Hilary Macartney, The Reproduction of Spanish Art: Hill and Adamson’s Calotypes and Sir William Stirling Maxwell’s ‘Annals of the Artists of Spain’ (1848).
- Monica Thorp, William Henry Fox Talbot and the Edinburgh Connection, 1855-72.
- Graham Smith, Elizabeth Garrett at St Andrews.
- Niels Henriksen, Ernst Friedrich’s ‘War against War.’
- Russ Young, Historical Pinhole.
- Norma-Louis Thallon, You Cannae See It From The Road.
- A. J. Anderson, Leaf from my Note-Book; from The ABC of Artistic Photography in Theory and Practice, (London, c. 1910).
- Reviews: Henri Cartier-Bresson, Dean Gallery, Edinburgh, 2005 (David Bruce); David Elliot, Summers Lang Syne: Scotland 1930 to 1959. The Photographs of John P Munn, Falkirk (Roddy Simpson); Allan Brodie, Andrew Sargent and Gary Winter, Seaside Holidays in the Past, London, English Heritage, 2005 (A. D. Morrison-Low)
Studies in Photography 2006
- Mari Mahr, SSHoP Annual Photographer’s Lecture, 2005.
- William Buchanan, The Annans of Glasgow. The Annan Lecture, 2006.
- Lilly Koltun, Photography and the Nation.
- Paschal Downs OSB, ‘The delight of their existence’: the Photography of Horatio Ross of Rossie (1801-86).
- Hugh Cheape, Herself and Green Maria: the Photography of M. E. M. Donaldson (1876-1958).
- Paul Kenny in conversation with Sara Stevenson, 22 November 2005.
- Sara Stevenson, Heinz Henisch.
- Reviews: Arnaud Maillet, trans. Jeff Fort, The Claude Glass: Use and Meaning of the Black Mirror in Western Art. New York, 2004 (A. D. Morrison-Low); John Hannavy, Case Histories: The Presentation of the Victorian Photographic Portrait, 1840-1875. Woodbridge, Antique Collectors Club, 2005 (Damian Sutton); John Fowler, Mr Hill’s Big Picture. Edinburgh, St Andrew Press, 2006 (David Bruce); Bernard Finn, ed., Presenting Pictures. London, 2004 (A. D. Morrison-Low)
Studies in Photography 2007
- Hulleah Tsinhnahijinnie, SSHoP Annual Photographer’s Lecture, 2006.
- Sara Stevenson, The Doctor, the Lady, and the Man who Printed his own Money.
The Annan Lecture, 2007.
- Fiona Myles, Discovering Thomas Keith’s Photographs.
- John Hannavy, Thomas Keith - a Scottish Master.
- Roddy Simpson, Evidence of Location in Images by Thomas Keith.
- Dr Thomas Keith’s Paper on the Waxed Paper Process, 10 June 1856.
- Fiona Myles, Dr Thomas Keith: A Selective Bibliography.
- Julie Sheldon, Elizabeth Rigby and the Calotypes of Hill and Adamson.
- Roddy Simpson, The Artist and the Engineer: the Friendship of David Octavius
Hill and John Miller.
- Tacye Phillipson, Forgotten Gems: Microphotographs as Jewellery.
- An Episode in the Saltmarket, Glasgow, in 1870; incl. Guy Fulton McCrone,
Antimacassar City, 1940 (extract).
- Paula Summerly, Late 19th Century Clinical Photography in Glasgow.
- Photographing Sputnik - a 50th Anniversary Tribute; incl. Morris
Allan, ‘Our Sputnik Pictures Scooped the World,’ Dundee Evening
Telegraph, 26 October 1965.
- Reviews: Elizabeth Brayer, George Eastman: a Biography. University
of Rochester Press, 2006 (A. D. Morrison-Low); L’Image d’après
[The Image to Come: How Cinema Inspires Photographers]. Cinémathèque
Française, Paris, 2007 (David Bruce)
An Index to articles in the Society’s publications:
the Scottish Photography Bulletin (1986-1995: ‘Bulletin’)
and Studies in Photography (1996-1999/2000: ‘Studies’).
Reviews of books and exhibitions are given in the accompanying list of contents.
Anderson, A. J., ‘Leaf from my Note-Book’; from The ABC of Artistic Photography in Theory and Practice, (London, c. 1910). Studies, 2005
Baden, H. ‘Mr John Fergus’ Studio at Largs, 1882.’ Bulletin, 1992 No. 2
Bajac, Quentin, ‘Fragments of Lady Matheson’s Work Considered.’ Studies, 1999-2000
– ‘Hill and Adamson and France: 150 Years of Critical Approach.’ Studies, 2002-2003
Baker, Carole, ‘The B.A. (Hons) Photography, Film and Imaging course at Napier University.’ Studies, 2004
Bell, Keith, ‘ ‘Just the kind of people Canada wants’.’ Studies, 1999-2000
Berry, James, ‘The Care and Conservation of Photographs.’ Bulletin, 1990 No. 1
– ‘The Positive Identification of 19th Century Photographic Processes.’ Bulletin, 1994 No. 1
Brettle, Jane, ‘The Photography Workshop.’ Bulletin, Spring 1988 – ‘Appearances.’ SSHoP Annual Photographer’s Lecture 2004. Studies, 2005
Bruce, David, ‘ ‘Redding the Line’.’ Bulletin, Spring 1986
– ‘Oscar Marzaroli: A Tribute.’ Bulletin, 1989 No. 1
– ‘But the Photography Was Wonderful. [Cinephotography in Scottish documentary film]’ Bulletin, 1989 No. 2
– ‘Then and Now from Photographs.’ Bulletin, 1990 No. 2
– ‘David Octavius Hill Bicentenary Festival 2002.’ Studies, 2000-2001
– ‘Exhibiting Mr Hill (Mr Adamson, and some others): a brief survey of the exhibitions participating in the D. O. Hill Bicentenary Festival.’ Studies, 2001-2002
– ‘First Impressions.’ [D. O. Hill conference] Studies, 2002-2003
Buchanan, William, ‘Photography Comes to Glasgow: A Survey of the Fifteen Years 1839-1854.’ Bulletin, Spring 1988
– ‘Snapshot of a Curator: Sara Stevenson.’ Studies, 1996
– ‘J. Craig Annan Walks Again: The Photographic Convention Visits Glasgow, 1898.’ Studies, 1997
– ‘Rediscovering Hill and Adamson.’ Studies, 2002-2003
– ‘The Annans of Glasgow.’ The Annan Lecture, 2006. Studies, 2006
Burnett, ‘Day Return to Newhaven.’ Bulletin, Spring 1986
Callender, R. M., ‘The Shandon Connection.’ Studies, 2004
Cassin, Michael, ‘Seen but not Heard: Photographing Children in the Scottish National Portrait Gallery.’ Bulletin, 1995 No. 1
Charity, John, in conversation with James Lawson, ‘Documentary Photography.’ Bulletin, 1990 No. 2
Cheape, Hugh, ‘Herself and Green Maria: the Photography of M. E. M. Donaldson (1876-1958).’ Studies, 2006
Claxton, Anne, ‘Robert Hay’s Expeditions to Egypt and his use of the Camera Lucida in the 1820s and 1830s.’ Studies, 1997
Colvin, Calum: interviewed by Ray McKenzie. Studies, 1996
– ‘The Alchemical Canvas.’ SSHoP Annual Photographer’s Lecture 1997. Studies, 1998
– ‘Photography at Duncan of Jordanstone College of Art and Design.’ Studies, 2004
Cooper, Thomas: interviewed by Ray McKenzie. Studies, 1996
Donaldson, Robert, ‘Obituary: Max Begg.’ Bulletin, Autumn 1988
Downs, Paschal, OSB, ‘‘The delight of their existence’: the Photography of Horatio Ross of Rossie (1801-86).’ Studies, 2006
Eremin, K., J. Tate, J. Berry, ‘On the Chemistry of John and Robert Adamson’s Salted Paper Prints and Calotype Negatives.’ Studies, 2002-2003
Errington, Lindsay, ‘Chiaroscuro in the Calotype.’ Bulletin, Autumn 1986
Evatt, Margaret Hutchison, ‘Grandfather Hutchison: A Victorian Photographer.’ Studies, 1996
Fisher, A. L., ‘Thomas Annan’s Old Closes and Streets of Glasgow.’ Bulletin, Spring 1987
Fisher, J. A., ‘Thomas Annan’s Old Closes and Streets of Glasgow. A Catalogue of the Images.’ Part One, Bulletin, Autumn 1987; Part Two, Bulletin, Spring 1988
Frew, John, ‘The Reiach Surveys, 1934-1942.’ Studies, 1998
Gage, Henry C. E., ‘The Jewish Cemeteries of Prague and Warsaw.’ Bulletin, 1994 No. 2
Gillanders, Robin, ‘Portraiture.’ Bulletin, 1990 No. 2
– in conversation with James Lawson. Studies, 1996
– ‘Obituary: Chick Chalmers.’ Studies, 1998
– ‘The Actual Photograph.’ SSHoP Annual Photographer’s Lecture 2000. Studies, 2000-2001
Grant, Catriona: interviewed by Sara Stevenson. Studies, 1996
Gray, Michael, ‘A Suggested Classification and Nomenclature for Early Positive and Negative Photographic Images on Paper.’ Bulletin, 1991 No. 1
Hamilton, R., ‘John Murray (1809-1898): Pioneer Photographer in India.’ Bulletin, 1993 No. 1
Hamlyn, Jim, and Colin Andrews, ‘Photographic and Electronic Media at Gray’s School of Art.’ Studies, 2004
Hannavy, John, ‘David Octavius Hill and the Artful Use of Light.’ Studies, 2001-2002
– ‘Thomas Keith: a Scottish Master.’ Studies, 2007
Henisch, B. A. and H. K., ‘Balaklava, 1854.’ Bulletin, 1993 No. 1
Henriksen, Niels, ‘Ernst Friedrich’s ‘War against War’.’ Studies, 2005
Johnston, Mark: extracts from an interview with James Lawson. Studies, 1997
Johnston, Murray and Kate, ‘Scottish Photographic Works.’ Bulletin, Spring 1987
Jokay, Zoltan, ‘Looking out for Happiness.’ SSHoP Annual Photographer’s Lecture 1999, Studies 1999/2000
Judge, Vaughan, ‘Photography at the Glasgow School of Art.’ Studies, 2004
Keith, Thomas, ‘Dr Thomas Keith’s Paper on the Waxed Paper Process. 10 June 1856.’ Studies, 2007
Kenny, Paul, in conversation with Sara Stevenson, 22 November 2005. Studies, 2006
Koltun, Lilly, ‘Regalia of Conversion: the Hill and Adamson Portraits of The Reverend Peter Jones, or Kahkewaquonaby.’ Studies, 1998
– ‘A Portrait Gallery for Canada: Five Centuries of Subjects in a 21st-century Frame.’ Studies, 2001-2002
– ‘Photography and the Nation.’ Studies, 2006
Lawson, James, ‘The Photographic Image and Romanticism.’ Bulletin, 1989 No. 1
– ‘Photography, and Political Economy and its Enemies.’ Bulletin, 1990 No. 2
– ‘Postscript to Fotofeis: Just One Picture.’ Bulletin, 1993 No. 2
– ‘The Urban Landscape between Progress and Decay.’ Studies, 1998
Lawson, Julie, ‘Bankruptcy Through the Lens: The Case of Kenneth Macleay.’ Bulletin, Spring 1986
– ‘Sir James Dunlop, a Photographic Prodigy?’ Bulletin, Autumn 1986
– ‘William Walker: An Early Amateur Photographer.’ Bulletin, Autumn 1988
– ‘William Donaldson Clark (1816-1873). Bulletin, 1989 No. 1
– ‘The Problem of Poverty and the Picturesque: Thomas Annan’s Old Closes and Streets of Glasgow, 1868-1871.’ Bulletin, 1990 No. 2
– ‘Frederick Bremner: A Vison of India.’ Bulletin, 1991 No. 1
Linkman, Audrey, ‘A Roving Scot: Itinerant Photography in the Heart of England in the 1850s.’ Bulletin, 1992 No. 1
Logan, Owen: in conversation with Julie Lawson, Studies, 1996
Macartney, Hilary, ‘The Reproduction of Spanish Art: Hill and Adamson’s Calotypes and Sir William Stirling Maxwell’s ‘Annals of the Artists of Spain’ (1848).’ Studies, 2005
McBain, Janet, ‘The Scottish Film Archive: The First Ten Years.’ Bulletin, Spring 1987
McCoo, Donald, ‘John Urie, Portrait Photographer (1820-1910).’ Bulletin, 1989 No. 2
MacDonald, Margaret, ‘Calotype Workshop Report.’ Bulletin, Autumn 1988
Macdonald, Murdo, ‘A Somewhat Bold Capriccio.’ [D. O. Hill conference] Studies, 2002-2003
MacDonald, Norman, ‘Some Autochrome Plates in Glasgow University.’ Bulletin, 1993 No. 2
– ‘Gift of Historic Photographs [by C. T. R. Wilson] to Glasgow University.’ Bulletin, 1995 No. 1
Macdonald, Patricia, ‘To Remain Dissolved: Aspects of Photography and Language.’ SSHoP Annual Photographer’s Lecture 1995. Studies, 1996
McGillivray, Euan, ‘Private Lives - Public Heritage. [Museum of Victoria]’ Bulletin, Autumn 1988
MacIndoe, Graham, ‘For All That’s Done.’ Bulletin, 1990, No. 2
McKenzie, Ray, ‘ ‘The Laboratory of Mankind’: John McCosh and the Beginnings of Photography in British India.’ Bulletin, Spring 1986
– ‘A Love Affair with Loch Katrine: Problems of Representation in Early Scottish Landscape.’ Bulletin, 1990 No. 1
– ‘Pictorialist Photography in Hungary: International Connections.’ Studies, 2001-2002
– ‘The Pre-photographic Printmaking Work of D. O. Hill.’ Studies, 2002-2003
Macmillan, Duncan, ‘The Disruption Painting.’ Studies, 2002-2003
Mahr, Mari, SSHoP Annual Photographer’s Lecture, 2005, Studies, 2006
Malde, Pradip, ‘No Man’s Land: A Portfolio.’ Bulletin, Autumn 1986
Malley, Tricia, ‘A Prize-Winning Photograph.’ Studies, 1997
Marr, Rebecca, and Valerie Gillies, ‘Men and Beasts: Wild Men and Domestic Animals of Scotland.’ Studies 1999/2000
Mason, George (1839-1901), ‘Pictures in Black and White: First Picture - Old Giles.’ Bulletin, 1992 No. 1
Melville, Jennifer, ‘An Album of Photographs compiled by Sir John Everett Millais.’ Studies, 1997
Miller, Hugh, ‘The Calotype.’ The Witness, 12 July 1843. Studies, 2002-2003
Moberg, Gunnie, ‘Photographing George Mackay Brown.’ Studies, 1997
Mooney, Catherine A., and Thomas Joshua Cooper, ‘Paul Strand: A Truly American Artist.’ Bulletin, 1993 No. 2
Morrison-Low, A. D., ‘The Alexander Sisters by John Adamson: Portrait of a Woman’s Place in Victorian Society.’ Bulletin, Spring 1986
– ‘John Muir Wood, Calotypist.’ Bulletin, Spring 1987
– ‘Photography in Edinburgh in 1839: The Royal Scottish Society of Arts, Andrew Fyfe and Mungo Ponton.’ Bulletin, 1990 No. 2
– ‘Robert Adamson, 1821-1848.’ Studies, 1998
– ‘Tripping the Light Fantastic: Henry Talbot and David Brewster. Studies, 2002-2003
Mucklewham, Mrs, ‘The Whole Art of Photography Exposed!’, Bulletin, 1989 No. 2
Murray, John, and John K. McGregor, ‘Watermarks.’ Studies 1999/2000
Myles, Fiona, ‘Discovering Thomas Keith’s Photographs.’ Studies, 2007
– ‘Dr Thomas Keith: A Selective Bibliography.’ Studies, 2007
O’Donnell, Ron: interviewed by James Berry. Studies, 1996
Ovenden, Richard, ‘Recent Acquisitions of Travel Photography by the National Library of Scotland.’ Bulletin, 1992 No. 2
Oztuncay, Bahattin, ‘James Robertson: A Scottish Artist in the Ottoman Capital.’ Bulletin, 1991 No. 2
Palmer, Roger, ‘Appearances.’ SSHoP Annual Photographer’s Lecture 2003. Studies, 2004
Patrizio, Andrew, ‘Fixing Steel Plates to Glass: Benjamin Baker, Evelyn Carey and the Forth Rail Bridge.’ Bulletin, 1990 No. 1
Pauli, Lori, ‘Margaret Watkins: Making It Home.’ Studies, 2000-2001
Phillipson, Tacye, ‘Forgotten Gems: Microphotographs as Jewellery.’ Studies, 2007
Roberts, Pam, ‘The Royal Photographic Society Collection.’ Bulletin, 1990 No. 1
Rodger, Jinx Witherspoon, in collaboration with Brigitte Lardinois, ‘George Rodger: A Photographic Journey from Scotland to Africa.’ Studies, 1996
Schaaf, Larry, ‘The First Photograph James Nasmyth Ever Saw.’ Bulletin, 1990 No. 2
– ‘Henry Talbot’s First Exhibition in Scotland.’ Studies, 1998
– ‘Science, Art and Talent.’ [D. O. Hill conference] Studies, 2002-2003
Sheldon, Julie, ‘Elizabeth Rigby and the Calotypes of Hill and Adamson.’ Studies, 2007
Simpson, A. D. C., Talbot’s Photometer, or Developments before Photography.’ Studies, 1996
Simpson, Roddy, ‘Evidence of Location in Images by Thomas Keith.’ Studies, 2007
– ‘The Artist and the Engineer: the Friendship of David Octavius Hill and John Miller.’ Studies, 2007
Smailes, Helen, ‘Sir Walter Scott in Camera.’ Bulletin, Spring 1986
Smith, Graham, ‘James David Forbes and Thomas Rodger.’ Bulletin, Autumn 1987
– ‘Maida and Blanche: Talbot, Scott, and John Adamson.’ Bulletin, 1991 No. 1
– ‘Talbot and Canova’s The Three Graces.’ Bulletin, 1995 No. 1
– ‘The Presentation of Eve Arnold for the Honorary Degree of Doctor of Science.’ Studies, 1997
– ‘Imagination and the Genius of Antiquity at St Andrews.’ Studies, 2002-2003
– ‘Photography at the University of St Andrews.’ Studies, 2004
– ‘Elizabeth Garrett at St Andrews.’ Studies, 2005
Smyth, Lloyd, ‘Does the Legacy of Ceausescu still haunt Romania in the 90s?’ Bulletin, 1992 No. 1
Spiller, Michael R. G., ‘A Photohistory Coincidence.’ Studies, 2004
Stevenson, Sara, ‘The Progress of the Scottish National Portrait Gallery’s Collection.’ Bulletin, Autumn 1986
– ‘The Australian Question.’ Bulletin, Spring 1988
– ‘Brief Encounter [James Nasmyth and David Octavius Hill].’ Bulletin, 1989 No. 1
– ‘David Octavius Hill, Friendship and Art.’ Bulletin, 1990 No. 2
– ‘The Rev. D. T. K. Drummond, 1806-1877.’ Bulletin, 1992 No. 2
– ‘A New Portrait of David Livingstone.’ Bulletin, 1993 No. 2
– ‘Edinburgh Ale and The Morning After.’ Bulletin, 1994 No. 2
– ‘Calton Hill.’ Studies 1999/2000
– ‘The Calotypes.’ [D. O. Hill conference] Studies, 2002-2003
– ‘Heinz Henisch.’ Studies, 2006
– ‘The Doctor, the Lady, and the Man who Printed his own Money.’ The Annan Lecture, 2007. Studies, 2007
Stewart, Iain, ‘The Greatest Gift ...’ Bulletin, 1990 No. 2
– in conversation with James Lawson. Studies, 1996
Stirling, Ruth: an interview [with] Jane Brettle. Bulletin, 1991 No. 2
Sulter, Maud, ‘Polaroid Portraits.’ SSHoP Annual Photographer’s Lecture 2002. Studies, 2001-2002
Summerly, Paula, ‘Late 19th Century Clinical Photography in Glasgow.’ Studies, 2007
Sutton-Hibbert, Jeremy, ‘The Romanies of Sintesti.’ Bulletin, 1994 No. 1
Thallon, Norma-Louis, ‘You Cannae See It From The Road.’ Studies, 2005
Thorp, Monica, ‘Hill and Adamson without Adamson? The Ballochmyle Calotypes.’ Bulletin, 1989 No. 2
– ‘William Henry Fox Talbot and the Edinburgh Connection, 1855-72.’ Studies, 2005
Thorp, Nigel, ‘Early Photographic Collections in Glasgow University Library.’ Bulletin, Spring 1986
Towler, John, ‘A Nail-Brush and a Hat Stand ... Setting up a Photographic Studio in 1870.’ From The Silver Sunbeam, 7th ed., 1870. Bulletin, Spring 1987
Tsinhnahijinnie, Hulleah, SSHoP Annual Photographer’s Lecture, 2006. Studies, 2007
Ware, Mike, ‘Prints of Gold: The Chrysotype Process Re-invented.’ Bulletin, 1991 No. 1
– ‘On the Stability of Robert Adamson’s Salted Paper Prints.’ Studies, 2002-2003
Wetton, Jenny, ‘James Mudd, Photographer (1821-1906).’ Bulletin, 1990 No. 1
Williams, David, ‘Mortonhall Crematorium, Wednesday 10 January 1990 [Murray Johnston].’ Bulletin, 1990 No. 2
– ‘ ‘one little room ... an everywhere’.’ Bulletin, 1994 No. 2
– digest of a conversation with James Lawson. Studies, 1996
– ‘Self Portrait.’ SSHoP Annual Photographer’s Lecture 1996, Studies, 1997
– ‘Edinburgh College of Art: Photography Course Statement.’ Studies, 2004
Young, Russ, ‘Historical Pinhole.’ Studies, 2005
‘An Episode in the Saltmarket, Glasgow, in 1870; incl. Guy Fulton McCrone, ‘Antimacassar City,’ 1940 (extract).’ Studies, 2007
‘A Game of Charades’; from The adventures of Mr Verdant Green, by ‘Cuthbert Bede, BA.’ Studies, 2004
‘Major Halkett’s Portable Camera, 1856.’ Bulletin, 1991 No. 2.
‘Photographing Sputnik - a 50th Anniversary Tribute; incl. Morris Allan, ‘Our Sputnik Pictures Scooped the World,’ Dundee Evening Telegraph, 26 October 1965.’ Studies, 2007
‘The Scottish Arts Council’s Photography Review.’ Bulletin, Autumn 1986.
‘A Summary Index to Articles, 1986-2000.’ Studies, 2000-2001
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